It boils down to the fact that the studio cares about the whole actor, from movement and voice which liberate your vessel, to teaching you the Meisner Technique and how to craft your way through anything. If it is a poor script, if it’s a great script. You can do the work and do the work really, really well. They also care about your audition technique. The whole point of the Maggie Flanigan studio is that they leave no corner unturned.
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